Kristina Beaufort

CONNECT

Jonas Lund

Passion as network

Networks · Participation · Agency

Jonas Lund is a Swedish artist whose practice exposes the invisible structures behind online life: data, interfaces, algorithms and systems of collective decision-making. Through digital works, installations and physical objects he examines how technological systems shape behaviour, creativity and choice.

Lund gives the exhibition its social dimension. Movement here is the circulation of data, images, preferences and behaviour through networks — what looks like an individual action turns out to be part of a much larger system.

Individual interests do not stay isolated. They accumulate, circulate and connect, gradually forming trends and collective identities; Lund makes the mechanism visible.

Works in the exhibition

A wall-mounted black interface with an antenna, its dark screen scattered with small coloured points.

Network Maintenance #7 · 2026

PLA, custom hardware and software

27.5 × 28.5 × 4.5 cm

Installation requirement: continuous electricity and a dedicated socket are required for the artwork to operate.

Wall-mounted interfaces form one connected system. What an owner does to their own node changes the wider network, so care becomes part of the work rather than something done to it.

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A laser-cut aluminium panel: two figures in suits before a wall of soft repeated marks, subtitled “We are excited to tell you that from now on, we will be turning it around.”

Compressed Futures (“We are excited to tell you that from now on, we will be turning it around.”) · 2024

JL/24/022

Aluminium, laser cut

31 × 46 cm

About the series

This series presents morphed human figures caught in surreal, abstracted scenarios. The stilled scenes, accompanied by subtitles hinting at larger narratives, depict speculative glimpses into a world transformed. Lund freezes singular moments that seem to encapsulate entire films — capturing the cusp of massive technological and societal changes on the horizon. Characters confront their entanglement with technology and culture, from obsessive media consumption to the merging of human and machine intelligences. The distorted yet familiar figures raise questions about identity, agency, and what it means to be human in an era of accelerating technological disruption.

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A pale laser-cut aluminium panel: a blonde figure turning to camera, subtitled “Why can't I watch everything?”

Compressed Futures (“Why can't I watch everything?”) · 2024

JL/24/044

Aluminium, laser cut

31 × 46 cm

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A portrait of a woman rendered as a spinning disc of fine concentric lines, her features resolving only near the centre.

Peripheral Futures · 2024

JL/24/048

LED fan, video (15 min)

Diameter 52 cm

Edition 3/3

About the series

Peripheral Futures is a kinetic LED fan displaying a fifteen-minute loop of unresolved text-to-video generations from The Future of Life. The spinning display turns these near-misses into a hypnotic stream of speculative fragments. The work explores what it means for machines to imagine futures they cannot fully render, revealing the poetic potential in failure, uncertainty, and the limits of prediction. Peripheral Futures invites viewers to consider that every vision of the future is, in some way, a partial one.

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Prices are on request. Write to kb@kbeaufort.com.